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美人潭镇女戏子美林受尽欺凌，渴望改变命运。当大军阀听闻美人潭的传说后，前来寻求仪式实现梦想。他诱骗美林并将她推入美人潭，美林幸存但被生死草感染，成为嗜血怪物，她吸引并吞噬那些对她图谋不轨的男人。闺蜜银杏觉察到美林的变化，她的病情日益恶化，二十天后将成为不死僵尸。随着真相揭示，银杏和美林将面临何种命运的抉择……
An actress preparing to return to acting after a long hiatus, who gets caught up in an unexpected incident and heads straight towards catastrophe.
The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Haseeba, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931).　　Across all the arresting, shifting peripeteia of its plot, Abbas Amini's film deftly dramatises the complicated question of commitment: do we commit ourselves to a political cause, a set of religious beliefs, or a person? And how do we negotiate the commitments of others, even those closest to us, when they are based on a very different value system?　　With its sparse music score, densely naturalistic acting and unostentatious camera work, Endless Borders is almost a minimalistic suspense thriller (with Hitchcockian overtones), combined with a heated family melodrama – but it never loses sight of the serious and extremely timely issues that it raises.　　源自：