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《2024年“四海同春”全球华侨华人春节大联欢》邀您共赴一场全球华侨华人的新春文化“家宴”。品中华文化魅力，看华侨华人贺岁！
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
明朝中叶，宦官专政，民不聊生。 因一份神秘圣旨，东海将领周淮安护孤女曲灵来到龙门岛上的龙门客栈，等待中元节奉旨交人。 龙门客栈中，江湖际会，暗流涌动。东西两厂轮番上阵，掌柜金镶玉百般试探，刺客邱莫言从中搅局，周淮安深感此行目的愈发扑朔迷离。 中元节将至，龙门岛世代血咒惊现仙药之迷，东厂冯督主为谋得仙药杀害曲灵。 周淮安为家族荣耀顺从野心勃勃冯督主还是秉持内心正义奋起反抗? 一场正义与邪恶的生死较量就此展开。