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夜晚中，当一位女性的歌声响起时，就意味着有人将会被杀害。第二天，街上将会有许多人的头颅悬挂在那里。这个杀人凶手名叫玉罗刹（郑佩佩 饰），他专门杀害姓阎的人。在一家客栈中，一位名叫徐英豪（唐菁 饰）的侠客正准备去寻找仇人石勇山（谷峰 饰），为自己被杀父的仇报仇。偶然间，他遇到了化名为冷秋寒的玉罗刹。　　徐英豪问他为何要杀光阎家的人，玉罗刹回答说：阎家兄弟共有20人，我不知道具体谁杀死了我的整个家族，但肯定有一个是凶手。二人分手之后，徐英豪来到了石家庄，遇到了一个自称石勇山的醉汉，徐英豪举起手中的斧头就砍了下去，醉汉当场丧命。众乡亲听到了声音赶来，告诉徐英豪他杀错了人，真正的石勇山早已搬走。徐英豪发誓从此封剑，不再杀戮。
Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?　　Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?　　Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
于静和顾家辉结婚三年始终忙于事业，无暇备孕。婆婆携外甥女不请自来强势催生，险些将小两口的婚姻推到危险边缘。让人没想到的是这场闹剧的背后其实暗藏着巨大阴谋，最后婆媳二人联手，共斗老谋深算的前公公…