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炎部落一战之后，延羽、嘉静、凌义、基洛、希阳五人回到金波城，这时却突然收到土元素城市——沙砾市受到邪灵组织入侵的消息，五人立刻赶往沙砾市，却发现这里出现了五个冒充机甲五勇士的人，原来这些人冒充延羽五人是为了从沙砾市酋长口中得出沙砾市能源石——灵土矿石的位置。最后在延羽五人的努力之下，终于揭发了假五人组的身份，与此同时，却让邪灵得知了灵土矿石散落在地下的秘密！
Star, a suicidal teen now too old for foster care, develops a candid rapport with An, a student from Shanghai who is assigned to watch her while she is in hospital. A nightly exchange of secrets, text messages and possessions quickly expands the boundaries of their relationship, altering their inner chemistry.　　Gilded by a soundscape that interweaves work by emerging and pioneering electronic musicians, Queens of the Qing Dynasty is an offbeat ode to neurodiversity and genderqueer individuals who refuse to conform. Director Ashley McKenzie’s blend of formalism and gritty realism does not fail to surprise and treats the audience to flashes of visual and conceptual poetry. Her cast is entirely composed of first-time actors who convincingly convey how unique every individual is, both in how they see the world and how they relate to others. Ziyin Zheng in the role of An graciously embodies a mix of idiosyncrasy and frankness that makes them an ideal confidante for Star (Sarah Walker). They have what it takes to be on the receiving end of the scrutinising gaze of Star, who sees through conventions and never ceases to be amazed at life’s bewildering events. Veering on slapstick, Walker’s performance will not go unnoticed.
Jimmy Carr refutes the idea that you can't joke about anything these days with his edgy takes on gun control, religion, cancel culture and consent.