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東京郊外にある街。　　その街の小高い丘の上に、小さな公園があった。　　そこでいつも一緒に遊んでいた小さい頃からの仲良し６人組。　　しかし４年生の時に、それぞれが転校する事になってしまった。　　６人は転校前に「タイムカプセルを埋める約束」をするものの、　　結局その約束を叶える事が出来ないまま離ればなれになってしまう。　　そして４年後、成長してそれぞれの日常を送っていた。　　それぞれに悩みや不安を抱えて、日々を過ごしていたある日　　そんな彼女等にある奇跡が起こる・・・・・
Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story.　　A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles?　　Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.
在东莞的一个工厂遇见的一群95后工人。　　本片被列入英国皇家人类学协会影库。