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当清晨第一缕阳光照向这个城市，居住在这里的人们迎来了的新的一天。许许多多上班族独自居住，不过如果放在一个拟人化的社会，冷冰冰的世界似乎就多了几分温情。闹钟聒噪地响起，其实是有个人站在身边剧烈地晃动着铃铛。主人起床后，他洗漱收拾，有人用压力井送来水，有人用喷火装置加热面包。有人站在灯杆上操纵信号灯，有的人负责写下短信，甚至还有人驮着电车飞奔。当然忙乱之际，身边的小人难免出错，比如搞丢了主人的短信，写错了约会时间什么的。　　不过这都不算什么，无乱何时，要相信你都不是一个人……
在顾迟母亲的葬礼上，姜澜以“姐姐”的名义收养了没人愿意照顾的顾迟，成为顾迟黑暗人生中的一束光。顾迟也逐渐喜欢上了这个漂亮“姐姐”。年龄的隔阂是否会阻碍两人感情的发展，面对“弟弟”的表白，霸气的“姐姐”将如何应对？
Synopsis: One of Gustav Machaty's (Ecstasy) major achievements, From Saturday to Sunday is marked by a gentle romanticism. Two secretaries go out on a double date, but the inexperienced Mary flees when offered money for sexual favors. She takes refuge in a cafe and encounters a plebeian Prince Charming. The film recounts the simple progress of their romance after they go home together. If the tale is not unusual, the telling is superb. The characters are sharply observed, with a strong sense of social context. Machaty's first talkie is a masterpiece of sophisticated early sound cinema. And the film's credits-Czech jazz founder Jezek, Surrealist poet Nezval, experimental filmmaker Hammid-provide ample proof that in pre-war Czechoslovakia, the avant-garde made significant contributions to mainstream production. (Elliott Stein)